Our Jazz Reed

Soprano Sax American Cut

Product Info

The American Cut represents the next-generation of Légère saxophone reeds. From the first note, the reed speaks with total ease while giving players just the right amount of tonal edge. It is effortlessly free-blowing, colorful, and loaded with personality.

The American Cut’s distinct profile is what gives players a full, clear low register and vibrant altissimo.

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WHY THEY WORK

The secret? A synthetic material unique to Légère, meticulous computer controlled processing operations

and a team of ambitious and hardworking individuals who passionately believe in the Freedom to Perform.

Materials
Design Process

Cane is a unique material—lightweight, yet surprisingly stiff along the grain. That unique combination is what makes it vibrate so well. Reproducing those properties in a synthetic material isn’t easy—but it’s exactly what we’ve done.


Our reeds are made from a special formulation of polypropylene—a non-toxic, food-safe polymer you’ll also find in medical equipment, yogurt cups, and packaging. On its own, polypropylene is far too flexible for a reed. So we strengthen it through a process called orientation, which aligns the polymer fibers to dramatically increase stiffness. That’s the secret to the signature feel and response of a Légère reed.


Because our material doesn’t absorb moisture, Légère reeds don’t need soaking, never warp, and are ready to play right out of the case. They’re durable, hygienic, and can be cleaned easily with warm water and a mild detergent. It’s cane—refined.

  • 5 stars: 1022 (86%)
  • 4 stars: 85 (7%)
  • 3 stars: 35 (3%)
  • 2 stars: 20 (2%)
  • 1 star: 24 (2%)
Some of the reviews shown are from related products the merchant grouped with this one.
F
Francesco (Kingston, CA)
Great reeds, awesome flexibility

I play Legere reeds (all American cut) on soprano, alto, and tenor. They’re reliable and durable.
Recently I got a 1920 Conn alto and got a SYOS smoky mouthpiece #6 to go with it. A friend recommended using a *tenor reed* with this setup and that’s why I got a Legere 3.0…. OMG it’s awesome!

Hi Francesco, thanks so much for sharing your experience! We’re thrilled the American Cut tenor reed works so well with your Conn alto and SYOS mouthpiece. Enjoy playing!

G
Gary Gregg (Arlington, US)
Back At It

My straight Conn soprano sax (1919) is a monster that visits me in the dead of night.
No amount coaxing will stay the notes that drive me and those around me crazy.
Well, almost.
I've tamed this beast somewhat with Legere reeds. My Selmer D metal MPC works nicely with Legere more than any other brand I've tried. If I put in the time my love affair with my Conn soprano continues to make friends and influence people. All's well with my slice of jazz life.
Thank you, Sean.

Hi Gary, thanks for sharing this wonderful story! We’re delighted our reeds are helping you tame your vintage Conn and keep your jazz life thriving. Wishing you many more happy hours making music—and friends!

J
Jude Paster (Vineland, US)
They develop cracks

They work just fine but develop cracks after a few weeks of use. Not a one time thing but has happened now with the last 3 reeds I purchased.

J
Jonathan Linko (Canfield, US)
Great tone, consistent performance!

Much like all of the others, the soprano reed performs just as well! Right now I'm playing the Reed Book for "In the Heights" by Lin-Manuel Miranda and have to play flute, clarinet, alto sax, tenor sax, soprano sax, and bari sax...all the reed instruments are running Legere reeds, and it's great to know that each one will play the way I want when I pick it up without worry! Thanks Legere!

Thanks so much, Jonathan! We’re thrilled your soprano reed is playing consistently alongside all your other Légère reeds. Best of luck with *In the Heights*—what an impressive lineup of instruments!

D
David (Los Angeles, US)
The clarinet reeds work great for me

The clarinet reeds work great for me. I use European cut. So far, I have tried three different alto saxophone reeds- American, French, and Signature- in two different strengths, 2.75 and 3, but I'm not getting the results I need. Not bad, but not what I want.

Hi David, thanks for sharing your experience. We’re glad the European-cut clarinet reeds work well for you, though we’re sorry the alto saxophone reeds haven’t delivered the results you’re looking for. Reed preferences can be quite personal, and we appreciate you trying several cuts and strengths. If you’d like, our team would be happy to help you explore other options.

J
Jimferristrio (Leland, US)
Use Legere American on Sop, Alto and Tenor

After decades of trying various synthetic reeds and always going back to the tried and true drudgery of trying to find the good cane reeds out of a box of 10, I’ve finally settled on Legere American cut and will never go back to cane. Every reed is perfect and as close to cane as could be. As a multi-reed player, it’s great to be able to pick up a horn after 20 minutes and the reed is always ready to play. I use Legere American on Sop, Alto and Tenor.

Hi Jim, thanks so much for sharing your experience! We’re delighted the American Cut reeds are working so well across soprano, alto, and tenor, and that you can count on them whenever you pick up your horns. Happy playing!

g
gary melhaff (Olympia, US)
Reeds are great - company website sucks

I only use american cut on all my horns. They’re fantastic. What isn’t great is their website that gives you points for purchases but then makes it impossible to use the points appropriately. It just subtracts points when you select a method of using them but gives you nothing in return. For example they told me I get free tag but when trying to add the tag it keeps subtracting points and never adding it to my order. It just adds them to a list of codes that if you attempt to use the codes it then subtracts points and gives you nothing in return.

Hi Gary, thanks for the kind words about our American Cut reeds and for sharing your experience with the rewards website. We’re sorry the points redemption process has been so frustrating, especially when trying to claim your free tag. Please contact our support team with the details so we can look into the missing reward and help make this right.

D
Don Mark (Charlotte, US)
New Horn same great reed

Playing multiple woodwinds per show, Legere reeds come through with consistent playability tone and range. I’ve used Legere reeds for many years (10 or more). One of my best tools to get my sound and speak with attitude.

Hi Donald, thank you for your continued trust in Legère reeds and for sharing your positive experience. We're glad they help you achieve your sound and attitude on stage!

C
Charlie Bates (New York, US)
Great Sound from the Legere Saxophone Reeds

Légère reeds have completely transformed my playing experience. The response is instant—no fighting with the reed, no warm‑up struggle, just clean, effortless tone from the very first note. I love how consistent they are across sessions; whether I’m practicing at home or performing, the reed behaves exactly the same every time.

Hi Charlie, thank you for sharing your experience! We're thrilled to hear how much you enjoy the Alto Saxophone American Cut reeds and their consistency. Happy playing!

T
Teddy3725 (Bellingham, US)
I'm a professional and play gigs regularly in addition to practice

I'm a professional. I started using Legere on clarinet and added Alto, soprano and finally Tenor to my list. I currently play more Tenor than anything and I love Legere for several reasons. I play a lot of outdoor concerts, I am currently doubling on flute and need to have my tenor ready to play as soon as I pick it up. I have tried most cuts of Legere reeds and use different cuts on different instruments; finding that the American cut works best for me on Tenor. It plays easily, sounds great and soars into altissimo easier than others I've tried. I have several Tenor Legere reeds, mostly American cut, and rotate them for every gig. I also rinse them off in a sink with my mouthpiece after playing, so I take care of them. I can usually get over a year on each reed provided I don't nick it accidentally. I'm mostly playing rock and blues now, I'm blowing hard and put the reed through it's paces. Finally, I love the consistency and so happy I don't have to go through the cane reed routine every time I pick up the horn.

Hi Teddy, thank you so much for sharing your detailed experience! We're thrilled to hear how much you enjoy the American cut on your Tenor and appreciate the consistency and ease it provides during your gigs. Happy playing, and thanks for being a valued customer!

D
Dave Ballinger (Denver, US)
American Cut

I’m an intermediate player but with this reed I’m god’s gift. lol
I love I get a great sound right off the bat.
I’m still switching back and forth between the American Cut and the French Cut.

J
Jimferristrio (Leland, US)
These are the best reeds

These are the best reeds. I've been playing sax for more than 50 years and have tried syntheitcs over the years, but always went back to cane. Legere American and Signature Cut reedsw are amazing. I also play multiple horns. To be able to pick up a horn after 30+ minutes and not have a dry reed, and have reed that plays perfectly is fantastic!!

Hi Jim, thank you so much for your wonderful review! We're thrilled to hear how much you enjoy our reeds and how they enhance your playing experience. Happy playing!

B
Benjamin Pruitt (Arlington, US)
The American Cut

The American cut works for me. I have a show coming up where I'll be playing mostly alto and tenor, one song on Bari, so I needed something I could just pick the horn up and play. Usually, I'm a cane guy, but this will definitely work under these circumstances. 🎷

Hi Skip, we're so glad to hear the American Cut works well for your upcoming show! Wishing you the best of luck with your performance. Thanks for sharing your experience!

J
Johnathon Evans (Commerce City, US)
Impressive

I've been playing the American cuts for several years. They are great for when I switch between alto, tenor, and guitar at a gig. The reeds respond immediately. I love their tone and ease for altissimo. They last around 4 times longer than my previous traditional reeds, so I feel that I am spending less on reeds overall by using Legere. Last week was the real test. I play sax for the Denver Broncos, so I had the AFC Championship rally and then the game last weekend where the temperature was around 9 degrees. I feared that the reed would respond poorly to the extreme cold, but I didn't have any issues with the reeds (my sax did actually freeze twice where frozen spit blocked the tone hole, but zero reed problems). I'm not endorsed by Legere, but I push their reeds like I am because they are a game changer. Many of my students have now seen the light.

We’re grateful for your feedback and glad you’re enjoying your reed!

E
Eric Theriault (Saint-Jean-sur-Richelieu, CA)
Une réponse toujours parfaite

Facile a jouer et un son tres agréable.

We're so thankful for your positive review and are glad you had a great experience!

S
Steve Boersma (Grand Rapids, US)
Great consistent reeds!

As a gigging funk player in Simply In Time, I play 2-4 saxophones and percussion at our shows. With the Legere American Cut Reeds, the consistency from reed to reed and the ability to get away from warping when the horns sit for some time is priceless. Plus, the sound I get from American Cut reeds is perfect for the styles we play and cuts through all the amped instruments I battle!

We're so thankful for your positive review and are glad you had a great experience!

L
L.S.H. (Ontario, US)
I had a better experience in the past

I’ve been using the Legere American Cut 2.25 (for alto sax) and wanted to share some feedback.

Previously, I played on an American Cut 2.00 (alto sax), which served me very well for about two years before it cracked from the tip vertically toward the body, about 1/2 inch long. That reed was reliable, bright, and responsive.

This new 2.25 I recently purchased seems to be a slightly updated model. While it is still very responsive, I’ve noticed a few differences. The tip doesn’t feel as strong, and there’s a faint “half-moon” line across the tip; that isn’t very visible but raises some concern. The tone is not quite as bright as my old 2.00, which leaves me a bit disappointed.

Overall, it plays decently, but I expected the same clarity and brightness I enjoyed with my previous reed. Not sure how long it will last, but I doubt it will reach 2 years in length.

We’re grateful you took the time to share your feedback.

S
SaxManBob (Canyon Country, US)
AM Cut 1.75

Great Response with my Claude Lakey Jazz Mouthpiece....SMB

Your feedback means a lot to us—thank you for sharing your review!